sw-balken
  tonschacht
record label ///  7" + 12"
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dropp ensemble:
ingen tid
cat # tons020 / 7" / € 6.00 / ... read more

anla courtis:
tribute to calcium
cat # tons019 / 7" / € 6.00 /... read more

raphael smarzoch:
spitrobot
cat # tons018 / 7" / € 6.00 /... read more

greg davis:
gather/scatter
cat # tons017 / 7" / € 6.00 /... read more

janek schaefer:
early electronic compositions
cat # tons016 / 7" / € 6.00 / ... read more

donna summer:
fluxus, inc.
cat # tons015 / 7" / € 6.00 / ... read more

fibo-trespo / anders gjerde:
a hoax. a scam. a phony
cat # tons014 / 7" / € 6.00 /... read more

jazzkammer:
knitter
cat # tons013 / 7" / € 6.00 / ... read more

keith fullerton whitman:
live (at the tremont theater)
cat # tons012 / 7" / € 6.00 / ... read more

oren ambarchi:
der kleine koenig
cat # tons011 / 7" / € 6.00 / ... read more

further releases: page 1 / 2

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tons013

jazzkammer:
knitter

knitter is the first 7" from this norwegian duo - guitarist, improviser and composer john hegre (also in der brief) and lasse marhaug, one of the most productive musicians in the international noise/experimental underground of the last 10 years (also in del and owner of the jazzassin records label) – this time with alexander rishaug who already participated on the last jazzkammer–longplayer "pancakes" (smalltown supersound).
this swedish label also released rolex, a remix-album of their first two cds with contributions by merzbow, thurston moore, pimmon and many others. jazzkammer combines timbre sound textures, drones, chrashing noise, digitalia, field recordings, turntables, static electric atmospheres, samplers sine waves and location recordings, all used in free improvisation to create fragmented, eclectic and relentless yet focused and massive collages.
a-side might remind you of mixture between the high-speed electronics of belgian irregularities scratch pet land and the microsound-turntablism like otomo yoshihide or martin ttreault, b-sia begins like pop defined by the tochnit aleph crew, but slowly between layers of distortions there rise sweet, fenneszian melody as if they were re-arranged by rudolf e.ber.